I work at the intersection of memory, media, and experimental narrative, with an interest in how stories shape identity and how meaning refuses to stay fixed.
At Semiotic Drift I publish occasional micro-essays, fragments, and short critical pieces on media, culture, theory, visual life, and the drift of meaning.
I spent several years as a university lecturer, teaching English Literature, Creative Writing, and Media Studies. I now offer private tuition in those areas, alongside creative writing mentorship for memoir, hybrid nonfiction, life writing, and formally experimental narrative.
In 2017 I founded Analog Submission Press, an independent small press dedicated to literary risk, limited-run editions, and writing that sits outside the obvious categories.